She speaks, but all I hear is Boston,
edgy accents jut through her story,
of how she used to beautify
The dead, and how she loved
doing makeovers. Death never looked
so put together, or how the body waits
for nothing, and still manages to sigh.
They told her this would happen,
this release of the body, the settling in:
Her, new at the job, and them, the dead,
both forfeit to the finality. Her fingers offer
fruits of color: outline, blend, highlight.
~
At the church, I empty the wastebaskets,
in counseling rooms, carry bags of tissue
clouds, and toss a white sky into the dumpster
of what’s left behind: tears, loss, regret.
And, I think of you, and leave my body to travel
the spine of California—the greatest distance
is between our two points. Forfeits kill the forthcoming;
the season of waiting finally sighs out, and desire
reminiscences for the passing of thinly-weaved love.
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